30 ⽇ - 30 Days

This is really it. I only have 30 more days here in Nagasaki, and 34 more days in Japan. How did I get here? How did I make it this far?
My Mum is coming to visit me on Sunday and will stay in Japan for two weeks. As great a blessing as this is, with it comes the need for a lot of preparation, planning ans socializing on my part. My social life has never been as active as it is now, I don't think. All of my friends at the hospital are really excited about her visit so I've been getting a lot of invitations for us both for dinner and stuff. I haven't had to turn anybody down yet but our schedule is getting so full that I might have to soon. I should stop complaining. It is reminding me how much a part of the hospital I feel now.

Speaking of socializing, May and I have been invited to Sinenkai this Thursday. Remember Bonenkai, the end of year party that was held in the middle of December? Well, Shinenkai is the start of year party. It will be a night full of food, alcohol and semi-naked dancing no doubt, at least it will if Bonenkai is anything to go by. Is it wrong that I am looking forward to it even though I know this? When I asked a few of the nurses on 6E if they were planning on going, they all raised their hands in unison and yelled, “Iku! Iku!” (“I'm going, I'm going!”). Looks like I'm not the only one who is looking forward to it.

せいじんしき - Seijinshiki Festival

The second Monday in January marks the Seijin No Hi, or coming of age day. Men and women who have reached the age of 20 (hatachi) celebrate on this day the start of their adulthood. It seems to be acceptable to celebrate Seijinshiki not just on this day though, at least things certainly look that way as May and I celebrated it this Saturday just gone. She is 20 years old according to the western counting system and I am 20 according the Japanese counting system (where you are 1 on the day you are born). So either way you look at it, one of us was supposed to be celebrating our coming of age.

Kumiko-san and Oka-san kindly arranged for us to be dressed in their kimono for the day. We had tried on yukata (summer kimono) at the International Festival that took place in October but these... these were bone fide, the-whole-nine-yards kimono. It took two people two and a half hours to dress both May and me. There were so many layers, bits of string, back-boards, padding, towels... ugh, it was all very exciting and interesting and something I will remember for the rest of my life, but boy, was it tiring. It was very similar to how I imagine being dressed in a corset would be like - lots of pulling, tugging, bracing yourself - as was the end result: very pretty, but difficult to walk and breathe in.


Once fully kimono-clad, we took a walk around the hospital (where we got dressed) and showed a few of our friends on the staff. There were many “Kawai ne!” (“Cute!”), “Sugoi ne!” (“Amazing!”) and “Kirei!” (“Pretty!”), which was all very nice. After some photo-taking we then got in to Oka-san's car and drove to Suwa-jinja (the main Shinto shrine in Nagasaki). Something to note: riding in a car with a huge obi shaped into a flower on your back is tiring work!


After only a few hours of wearing the kimono, we were glad to get them off and back into our jeans. I have a new-found respect for women who wear kimono regularly, particularly geisha, who's kimono are notoriously heavy. Really, it was hard work just standing in them. Doing anything else required additional effort too. Still, kire katta desu, ne! (they were pretty, weren't they).

メリークリスマス - Merry Christmas

Here are a few photos from around Nagasaki during the Christmas season. I thought I would share them with you. Also, it saves me writing a real post.

Sorry this isn't really a very good photo. This is Hamanomachi anyway – the main shopping district in Nagasaki. There are actually tons of festive decorations all over the place here, but apparently, not visible from this angle.

This one is a bit more obvious, huh. Even if you miss the giant snowflake light display on the wall in the background, you would be hard-pressed to miss the 25 foot tree in the centre. Japan is a Buddhist country.... that fact and what we're looking at here really doesn't seem to add up, does it?

The “Japanese McDonald's” is called Mos Burger. This is an advertisement for their Christmas menu. Let's take a closer look...

Yes, the sign does read “Merry X'mos!”. (Sorry that it's blurry, by the way). At first glance I thought it was a misprint, just some poor English, but the Japanese continue to surprise me with their rather clever advertising. What is a little funny though, is that 'Xmas' is not pronounced here as 'Eks-mas' but 'Ek-ku-su-ma-su'. You try saying that quickly... it's really difficult.

I know this one isn't very festive, but I couldn't not share it with you. That is indeed a 3D illuminated human heart model plastered to the side of that building. The hiragana beneath it reads “Nagasaki haato kurinikku” ('Nagasaki Heart Clinic'). What you can't see in this picture is that the heart is lit up so that it appears to pump blood! How's that for innovative? God Bless the Japanese and their advertising genius! It might have been a little wasted in this case though. I mean, if you need to go to a heart clinic, whether it has a giant illuminated heart model on the front of the building is of little importance to you really, isn't it. Would you choose this one over a clinic that didn't have such a display? Hmm?

*

Well, that's all for now, folks. I hope everyone had a smashing Christmas. See you in the new year.

ぼねんかい - Bonenkai

It was Bonenkai (the hospital end of year party) last Friday night. There is no denying that May and I looked great. She wore a green dress that she had bought on Wednesday and I wore a red top that I'd bought the week before; Our hair was pretty; We had make-up on. All of these things were massive improvements on how we normally look at work – tired, uniform-clad and a little sweaty from all the bed-making. I think we surprised people a little actually. "Wow, they scrubbed up well, didn't they?" It turned out to be as formal an occasion as people wanted it to be - some of the staff wore suits, some wore jeans - so May and I felt nice and comfortable somewhere in the middle.

The party was at the hotel that is right next to the hospital. We pass it every day on the walk to work and it turned out to be very nice indeed on the inside. One thing I didn't like about the evening was that you had to pick your seat number out of a box at random, meaning you could wind up sitting next to complete strangers. That was half the reason for doing it, also there was a raffle at the end of the party based on seat numbers. It didn't really matter though because Kumiko-san arranged for May and me to sit with her at table 7 by talking a few members of staff into switching with us.

Once seated, the food promptly started to arrive, all of which was delicious. There were a lot of dishes that I didn't recognize, but that has never stopped me before from digging in and it didn't then. There was quite a lot of debate between a few of the doctors at our table over what the English name was for the meat in the soup. We had everything from 'seagull' to 'whale' put forward as suggestions. I think it might have been goose, but who knows?!


Part way through the meal, the performances started. Half a dozen or so of the departments gave a 5-10 minute performance and the senior members of staff had to judge the best for a prize of ¥50,000 (£214 – the same amount May and I get per month from the hospital). After the Kumamoto trip, I knew what to expect: Semi-nudity, group-participation and on-stage consumption of alcohol. Oh, and also wigs and cross-dressing. Needless to say, it was very entertaining. Mariko-san dressed up as a reindeer and threw a mango at a doctor in drag, with the aim of him catching it on a fork. He managed it two out of four times, in case you were wondering. Oka-san was up there, Nakashima-sensei and Imamura-sensei too. You would never think that such respected doctors are so willing to make complete fools of themselves in front of a room full of their work colleagues and friends, but apparently it is the complete opposite. Anyway, 4F won. I can't even bring myself to tell you what Imamura-sensei had to do to get the victory for his floor. *Shakes head in disbelief*. All I will say is that it involved a dominatrix. Enough said.

A sample of 7W's performance:


Yamaguchi-san (assistant nurse, 6E) came over to our table part way through the proceedings and gave May and me each a present: two pairs of tabi (Japanese split toe sock). I had yelped with delight at the inter-departmental volleyball tournament a few weeks ago when I had seen her wearing the most beautiful tabi I had ever come across. She obviously took note. You gotta love Yamaguchi-san :-)

Kumiko-san was very drunk by the time the party ended at 10:30. It was quite funny to watch her giggling to herself and tripping over her own feet. She asked us to forget this occasion in the future and although we won't be so cruel as to bring up her embarrassment again, there's no way I could forget her singing "All I Want For Christmas Is You" over a sobering cup of coffee in Mos Burger after the party.

クリスマス – Christmas

It is getting rather Christmassy here. May and I agreed 1st of December would be a reasonable date to start celebrating Christmas so we spent the day putting up a little tree that one of the previous Gappers left in May's room, watching a movie ('Notting Hill', in case you were wondering) and making chocolate truffles. The truffles were probably the best thing I have ever made. They were divine. Seriously. However, it was slightly depressing eating them since we knew exactly what was in them. Our truffles contained only four ingredients: chocolate, cream, butter and cocoa powder. Yeah, we're going to give some away as presents to prevent us from eating them all. Anyway, guilt aside, it was a great day. We each made our own advent calendar back in November so of course, we got to start those too.



The landowners put up a tree in the entrance of our apartment building too. It is especially nice coming home after work now, being greeted by a Christmas tree with twinkling lights. It does make me a little homesick though, all this Christmas stuff, since it is my favourite time of the year back in England. Oh well, this will certainly be one to remember in years to come.

Happy Halloween

May and I had been seeing posters all over Nagasaki for the past 6 weeks advertising a two-day 'Halloween Carnival' at the Seiyokan, to be held on October 27th and 28th. Naturally, we wanted to see how the Japanese celebrate Halloween so we went to check it out on Saturday. And this was it:

The “carnival” comprised two witches, a candy-floss machine and three games, one of which was a mini golf course with one hole. Hmm.

グラバー - Glover Garden

A few weeks ago May and I ventured down to the southern end of Nagasaki to visit the Glover Garden, named after Thomas Glover (1838-1911), who is famed for building the first train line in Japan and establishing the first modern shipyard. The former homes of some of the other pioneering European residents of Nagasaki have also been reassembled in this hillside garden. Well, that's enough of re-wording my travel guide. It was essentially a pretty garden, interspersed with a collection of European-style houses – not very interesting to a European – some ponds filled with carp, and a great view of the harbour. It was nice and all – pleasant, perhaps is a better word – but not all that interesting to me from a historical perspective, which I think was it's aim.

Oh yeah, Madame Butterfly was there too, see:

There was also a room dedicated to her in one of the houses, which had on display her kimono, elaborate hair pieces, fan and bamboo umbrella. Very pretty. I thought it was a nice touch that they had a recording of Madame Butterfly playing in the background.

Check out these guys:

Now what I want to know is did the sculptor see the turtles sitting like this before he made his turtle statue, or did the turtles see the statue in their pond and say to each other, “hey, you know what would be funny...”

You exit the garden via a museum displaying floats from the Kunchi Matsuri, which are even more magnificent close up. After that you have to go down a little sloped street lined with omiyage (souvenir) shops to get to the main road again. Among the castella's (I'll talk more about those later) and your average Japanese souvenirs (fans, chopsticks, pottery) there was also... Scottish shortbread. And to think, I was going to bring that from England as a gift for my Japanese friends here.

*

May spotted some kind of fair from the viewing platform at the top of the garden and it still being early in the day, we decided to go down and take a look after we had finished with Glover. (We were hoping there might be some interesting food opportunities). You'll never guess what it turned out to be... a motorbike rally.

There's a lesson to be learned here: You never know what you might stumble upon while you are out and about in Japan.

Nagasaki Kunchi Matsuri

From the 7th -9th October each year Nagasaki celebrates the Kunchi Matsuri (festival), and has done so for more than 370 years. It celebrates the ninth day of the ninth month of the lunar calendar, which is meant to a lucky day. The name “Kunchi' comes from the Japanese for “ninth day”, “ku nichi”. There are festivities on all three days and in various places around the city, notably at the Suwa-jinja Shinto shrine and at Otabisho, which is outside the You-Me-Seito department store that I have already come to know and love.

I found a website that gave a very informative description of the festival, but I have lost the address so I will repeat some of it here:
The first Kunchi festival took place in 1634 as part of the central government's campaign against Christianity. It is to give thanks for the harvest, but it also coincides with a period when the gods are said to leave their own shrines for a kind of annual conference. Kunchi festivals are held in many parts of Japan, but Nagasaki's Kunchi is recognised as one of the three great festivals of the Japanese year and attracts visitors from all over the country. At the festival a number of machi (districts of the city) are selected to perform.

The performance normally has three parts. First is the parading of the machi's kasaboko, a huge ceremonial umbrella, bearing the symbols of the machi. Next is the parading of a huge wooden boat on wheels, which is usually occupied by children playing drums and cymbals. Finally, there is a performance of some sort, sometimes involving the boat, but usually a dance.

Nagasaki's Kunchi is distinguished by two features, apart from the enormous effort of preparation which goes into it. Firstly, there is a variety of dances, which came to the city with people who were brought to the city to repopulate it after the Shimabara massacre of 1638. Secondly, there is the incorporation of Dutch and Chinese elements into the performances, which has occurred during its long history.

I saw the festivities at Otabisho on Tuesday morning, which started at 7am. There are seven different performances that make up the whole festival, each performed by a different machi and each lasting between 30-40 minutes. So yeah, it was a long morning.

Kohjiya Machi – The kawafune (Riverboat dance). The large, wooden boat is pulled along by a group of men, and rotated (in one direction only), which excites the crowd greatly. There was lots of yelling, cheering and clapping - no chance at all of anyone still being half-asleep by this point. The carp mounted on the roof of the float represent the carp in the Nakashima river which runs alongside the town.


Kohzen Machi – The Hon-Odori (Japanese dance). This was the first time I got to see/hear shamisen live, and it was wonderful. I also got to see geisha – yay. It started raining at the beginning of this dance, but that wasn't going to stop anyone. It's a good thing that geisha make-up practically has to be chiselled off to be removed.


Gin-ya Machi – The Shachi-daiko (Fish and Drums dance). This was just amazing. It was possibly my favourite of the performances. The taiko drummers were awesome; the sound reverberated through my chest the whole time. Add onto that the phenomenal displays of men heaving, pulling, throwing and catching a giant wooden float and you got yourself a performance that made me more glad than ever to be in Japan.



Yahata Machi – The Yumiya Hachiman Iwaibune/ Kenbu (celebration Boat/ Sword Dance). I was surprised to see only women doing the sword dance. They were obviously very skilled with their samurai swords and they gave an impressive, if a little intimidating, display of female strength. The celebration boat was pretty good too:


Manzai Machi – A Hon-dori (Japanese Dance). The music took a step or two up beat with the beginning of this performance, so that the sound of the Shamisen was now combined with more modern music. This really got the crowd going, with a lot of people joining in with the singing and dancing. It was awfully fun to simply watch too.


Nishihamono Machi – The Jabune (Dragon Boat). The dragon boat is apparently the largest object used in the festival, although they all looked similarly large to me. This boat is meant to represent the ship which brought Princess Anio to Nagasaki to marry Soutaro Araki, a wealthy trader. As you can see, unfortunately some of it had to be covered in clear plastic sheeting to protect it from the now heavy rain. The crowd (me included) got quite a shock when 'smoke' (water vapour) shot out of the dragon's mouth!


Gotoh Machi - Jaodori (Dragon Dance). Ah yes, the dragon dance. Some years there is a 'child dragon' but this year there was just an 'adult dragon', which I have to be honest was a slight relief because I was really tired by this point and my enthusiasm for the crowd's near-deafening cheers had dwindled somewhat. It was a fantastic performance, don't get me wrong. The performers aim for speed and height in this dance, when the leader guides the dragon in various directions with - what I can only describe as - a golden, spinning ball on the end of a staff (sorry, I don't know the name of it).



Kasaboko: Each machi's performance begins with a kasaboko, which is huge, parasol-like object. It carries a placard with the machi's name on it, as well as decorations on top, and a veil draped all around the sides. One man carries the 130-150 kg float on his shoulders, and to make things that little bit more difficult, the veil prevents him from seeing where he is going, so another person guides him with a flag. The carrier dances and spins in a circle, again, with much encouragement from the crowd. All very impressive.

If anybody is thinking of visiting Nagasaki and is unsure of when to do so, come at the beginning of October! This has been one of the highlights of Japan so far for me I feel privileged to have seen it all live, something that many Japanese don't even get the chance to enjoy.

5 階東 – 5E Nurses Station

I had to get up at 5:30 on Tuesday morning. I would have been annoyed at this had I not done so for the sake of the Nagasaki Kunchi Matsuri (festival). Japan must be the only country in the world where festivals start at 7am. The hospital paid for tickets for Kimurasan, May and me, which I am told aren't too cheap either, so I really can't complain. The “show” was absolutely fantastic, but there is way too much for me to say about it now. For a full post on this, you will have to wait until after the weekend when I have had more time to write - sorry.

After the festivities of the morning and an excellent lunch out of Okonomiyaki, May and I had to return to work. That afternoon I moved from the 6th floor nurses station to go kai higashi (5th floor East wing). Like the last time I moved two weeks ago, I couldn't help but feel apprehensive about the unknown. Unlike last time however – when I was greeted with much the same stuff on 6E as was on 7E, since both appeared to be general wards – this time I was pleasantly surprised to discover that 5E is solely a maternity and gynaecology ward. I know I'm going to sound like such a girl when I say this, but it makes a huge difference having babies around at work! Everything is suddenly way more interesting. There is a group of student nurses on 5E at the moment, and sometimes when they are being shown how to do new things I am allowed to observe also. On Wednesday I observed how to bathe a newborn baby. I found it most funny that instead of, as in England, dressing her in a one-piece baby-grow, the nurse put her in a little yakuta (summer kimono/ dressing robe). Aww! And then... I got to hold her! Kawai ne... yoroshiku. Sorry, I really can't help it. She was so cute! Just a teeny, tiny little human being.

It makes a nice change from the upper floors, where some of the patients, to be quite frank, look as though they have just escaped from a labour camp. I'm talking about people who have lung cancer and and fractured humerus, or are missing a leg and have a bag attached to their abdomen that is steadily filling with blood. Pretty depressing stuff, although admittedly very interesting from a wannabe doctor's perspective. Oh, and also, Marikosan (the woman who lives in room 207) works on 5E so it is nice having a friend around at work too. The downside to all of this of course, is that I am only on the 5th floor for two weeks. After that I will move down to 4E, which I believe is an orthopaedic and physiotherapy ward. Interesting, yes. Full of babies, no.